Unconditional support is what Bruce needs, and Jon can give it to him. “Springsteen: Deliver Me from Nowhere” deserves a bit of credit for attempting something unconventional. By capturing a low point ...
“Chalamet’s looking pretty good right now, huh?” a musician pal said as we staggered in a daze out of “Springsteen: Deliver Me from Nowhere.” Writer-director Scott Cooper’s moribund portrait of The ...
It’s always interesting seeing movies explore the creative process, such as what Steven Spielberg did recently in The Fabelmans, or larger-scale enterprises like the Oscar-winning Amadeus. But Mozart ...
This is read by an automated voice. Please report any issues or inconsistencies here. Writer-director Scott Cooper doesn’t want to make a music biopic. At least not the kind of music biopic you expect ...
Bio-pics come with a built-in tension concerning point of view. Filmmakers generally undertake such projects out of admiration, and, as a result, many veer quickly from enthusiasm to hagiography and ...
Of all the panels and Q&As happening during this year’s Telluride Film Festival, probably the most anticipated one featured a visit from rock royalty in the form of an unbilled (but not terribly ...
The new biopic gets a lot right about the Boss and the making of “Nebraska.” But there are elements that were made up for the film. By Ben Sisario The new biopic “Springsteen: Deliver Me From Nowhere” ...
It is fall 1981 and a 31-year-old Bruce Springsteen has just wrapped a wildly successful tour for his latest album, “The River.” But instead of returning to the studio to produce new songs — as was ...
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